![]() Rather, in the majority of the texts, these terms refer more than anything else to the realm of reality, rather than to that of fantasy. Besides this, Evliya rarely places a totally fictitious, supernatural, or fantastic story under the title of acayib or garayib. ![]() The common characteristic of these texts is that they all evoke a feeling of "astonishment". Evliya elebis Matchless Pearl These Reports of the Nile map and his accounts of the Nile and the Horn of Africa in The Book of Travels: Summary:The. Thus, it is difficult to say that the narratives of "marvels and wonders" in the Seyahatname focus on certain restricted topics. KÜLTÜREL ROTA GELTRLMES: EVLYA ÇELEB’NN ZNDE ZMRCULTURAL ROUTE DEVELOPMENT: EVLIYA CELEBIS ZMR VIZIT. Evliya Celebi was the Orhan Pamuk of the 17th century. These include most of the basic concepts in Evliya's travels, and indeed in his life. selections from the Book of travels of Evliya elebi (2010)by Evliya elebi. It is probably the longest and most ambitious travel. To fully understand what Evliya finds to be "strange and wondrous" and why he does so, the narratives in question can be classified under certain concepts, such as talismans and spells, magic and witchcraft, dreams and prophecies, adventures, physical appearances, animals, different beliefs or cultures, landforms, architectural structures, and so on. The Book of Travels (Seyahatname) of Evliya elebi occupies a unique place in the literature of travel. Considering the long-standing history of Act/ ib in the tradition of travel narratives, Evliya's use of this category seems to be a conscious decision based on the Islamic tradition of travel writing. One such genre, which is important for appreciating Evliya celebi as a storyteller and understanding the fictional dimensions of his work, is that of "marvels and wonders" (acayib ii garayib). Derginin Tarandığı İndeksler: Arts and Humanities Citation Index (AHCI), Scopus, TR DİZİN (ULAKBİM)Įvliya celebi, in his work Seyahatna me (Book of Travels), draws the reader's attention to certain narratives by repeated recourse to specific narrative genres.
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